Cellar victim Kampusch raped, starved in film of ordeal

VIENNA (Reuters) – A new film based on the story of Austrian kidnap victim Natascha Kampusch shows her being repeatedly raped by the captor who beat and starved her during the eight-and-a-half years that he kept her in a cellar beneath his house.

Kampusch was snatched on her way to school at the age of 10 by Wolfgang Priklopil and held in a windowless cell under his garage near Vienna until she escaped in 2006, causing a sensation in Austria and abroad. Priklopil committed suicide.

Kampusch had always refused to respond to claims that she had had sex with Priklopil, but in a German television interview on her 25th birthday last week said she had decided to reveal the truth because it had leaked out from police files.

The film, “3,096 Days” – based on Kampusch’s autobiography of the same name – soberly portrays her captivity in a windowless cellar less than 6 square metres (65 square feet) in area, often deprived of food for days at a time.

The emaciated Kampusch – who weighed just 38 kg (84 pounds) at one point in 2004 – keeps a diary written on toilet paper concealed in a box.

One entry reads: “At least 60 blows in the face. Ten to 15 nausea-inducing fist blows to the head. One strike with the fist with full weight to my right ear.”

The movie shows occasional moments that approach tenderness, such as when Priklopil presents her with a cake for her 18th birthday or buys her a dress as a gift – but then immediately goes on to chide her for not knowing how to waltz with him.

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Antonia Campbell-Hughes, who plays the teenaged Kampusch, said she had tried to portray “the strength of someone’s soul, the ability of people to survive… but also the grey areas within a relationship that people don’t necessarily understand.”

The British actress said she had not met Kampusch during the making of the film or since. “It was a very isolated time, it was a bubble of time, and I wanted to keep that very focused,” she told journalists as she arrived for the Vienna premiere.

Kampusch herself attended the premiere, looking composed as she posed for pictures but declining to give interviews.

In an interview with Germany’s Bild Zeitung last week, she said: “Yes, I did recognize myself, although the reality was even worse. But one can’t really show that in the cinema, since it wasn’t supposed to be a horror film.”

The movie, made at the Constantin Film studios in Bavaria, Germany, also stars Amy Pidgeon as the 10-year-old Kampusch and Danish actor Thure Lindhardt as Priklopil.

“I focused mainly on playing the human being because… we have to remember it was a human being. Monsters do not exist, they’re only in cartoons,” Lindhart said.

“It became clear to me that it’s a story about survival, and it’s a story about surviving eight years of hell. If that story can be told then I can also play the bad guy.”

The director was German-American Sherry Hormann, who made her English-language debut with the 2009 move “Desert Flower”, an adaptation of the autobiography of Somali-born model and anti-female circumcision activist Waris Dirie.

“I’m a mother and I wonder at the strength of this child, and it was important for me to tell this story from a different perspective, to tell how this child using her own strength could survive this atrocious martyrdom,” Hormann said.

The Kampusch case was followed two years later by that of Josef Fritzl, an Austrian who held his daughter captive in a cellar for 24 years and fathered seven children with her.

The crimes prompted soul-searching about the Austrian psyche, and questions as to how the authorities and neighbors could have let such crimes go undetected for so long.

The film goes on general release on Thursday.

(Reporting by Georgina Prodhan, Editing by Paul Casciato)

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Kiefer Sutherland named Hasty Pudding Man of the Year

LOS ANGELES (TheWrap.com) – Kiefer Sutherland has gained his share of accolades throughout his acting career, but none quite like this.

The “24″ star has been named 2013′s Man of the Year by Harvard University‘s Hasty Pudding Theatricals student society, succeeding “The Muppets” actor Jason Segel, who received the honors last year.

Sutherland will be feted with a roast on Friday at Harvard’s Farkas Hall, where he will receive his ceremonial Pudding Pot. If Hasty Pudding tradition is any indication, Sutherland will also dress at least partially in women’s clothes at some point during the event. Which is presumably a rare event for the actor.

“Inception” actress Marion Cotillard, who was named 2013′s Woman of the Year by the theatrical society, was honored at a January 13 ceremony, during which she led a parade through the streets of Cambridge, Mass.

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Country singer Gary Allan bests Grammy nominees for Billboard No. 1

LOS ANGELES (Reuters) – Country singer Gary Allan scored his first No. 1 album on the Billboard 200 chart on Wednesday, keeping Grammy-nominated favorites from the top spot.

Allan’s ninth studio album “Set You Free” sold 106,000 copies in its first week, according to figures from Nielsen SoundScan, garnering the singer his best sales week in his 17-year career.

The Billboard 200 is the album chart for all music genres.

Allan, 45, who is a staple within the country music scene, has notched three No. 1 albums in the Billboard country music chart.

The lead song from his new album “Every Storm (Runs Out of Rain)” started gaining chart popularity in September last year, and Allan’s label decided to push forward the release of the album from March of this year to January.

Allan told Reuters the song struck a chord among audiences with its message of hope. “This is a time when our country needs hope and I think that’s why it’s doing so well,” he said.

Allan’s album kept Grammy nominees The Lumineers at No. 2 with their debut self-titled record, which was released last April but has steadily been rising on the charts after the band picked up two Grammy nominations.

The official “2013 Grammy Nominees” compilation album, the only other new record in this week’s top 10, landed at No. 4 this week after selling 41,000 copies, coming behind the soundtrack for last year’s comedy “Pitch Perfect.”

Allan’s reign atop the Billboard 200 is likely to be short-lived, for Canadian pop phenomenon Justin Bieber’s latest album, “Believe Acoustic” is set to debut at the top next week, making Bieber the youngest artist to score five No. 1 albums.

On the Digital Songs chart, rapper Macklemore and Ryan Lewis’ “Thrift Shop” held onto the top spot for a third week, ahead of Taylor Swift’s “I Knew You Were Trouble” at No. 2 and Lil Wayne’s “Love Me” at No. 3.

Justin Timberlake’s “Suit & Tie,” his first new single in five years, dropped from No. 2 to No. 8 this week on the Digital Songs chart.

(Editing by Philip Barbara)

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Mary Wells, singer of ‘My Guy,’ gets posthumous Rock Hall push

(Reuters) – Mary Wells, Motown Records‘ first female star who paved the way for the success of Diana Ross and The Supremes, shot to fame in the early 1960s only to fade away as a footnote of the longtime Detroit record label.

Now, some two decades after Wells’ death in 1992 at age 49, the singer who scored a No. 1 hit with “My Guy,” is receiving a push for induction into the Rock and Roll Hall of Fame.

Peter Benjaminson, the author of the first Wells biography, “Mary Wells: The Tumultuous Story of Motown’s First Superstar,” has spearheaded the campaign for the singer, who he said has not received the recognition afforded to the likes of The Supremes or Martha and the Vandellas.

Benjaminson, 67, believes that aside from Wells’ merits as an R&B singer and as Motown’s first big female star, she deserves consideration as a pioneer who crossed the black-and-white racial divide in the United States.

“I think it’s unfair to have Mary, who set the path for so many superstars today, be excluded from an honor like this, which she should’ve gotten a long time ago,” Benjaminson told Reuters by phone from his home in New York’s Harlem neighborhood.

Wells was born into a broken household in Detroit in 1943 and contracted spinal meningitis and tuberculosis at a young age, which left her partially blind and deaf.

After graduating high school Wells set her sights on Berry Gordy, the founder of Motown, with a song she wrote herself, “Bye Bye Baby.”

“Gordy kept refusing (a meeting), but she kept persisting,” Benjaminson said. “Finally, he got so annoyed that he asked her to sing it right there … He was so impressed he signed her up the next day as a Motown singer.”

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“Bye Bye Baby,” rose to No. 45 on the Billboard Top 100 chart in 1960, a rare feat for a black, female singer, Benjaminson said.

“She really paved the way for the other women who came after, including Diana Ross,” Benjaminson said. “She showed how quickly a woman could rise on the charts with Motown.”

Wells was nominated for the Rock and Roll Hall of Fame in 1986 and 1987, but never made the cut for induction.

“I don’t know what happened in 1986 and 1987, but she’s certainly due the honor this late in the game,” he said.

Benjaminson is hoping first to get Wells inducted into the Legends Hall of Fame at the Apollo Theater in Harlem, a prominent historical venue for African-American musicians.

“I think that would help in getting her into the Rock and Roll Hall of Fame,” said Benjaminson, who hopes his book may play a role in resurrecting Wells’ reputation.

Benjaminson has set up a Facebook page called “Induct Mary Wells into the Rock and Roll Hall of Fame,” that urges fans to send letters to the foundation that runs the Cleveland, Ohio-based Hall of Fame (http://www.rockhall.com/).

The Rock and Roll Hall of Fame and Museum was established in 1983 and has inducted some 700 performers, songwriters and record producers, chosen by some 600 artists, music historians and industry members.

After scoring other hits such as “You Beat Me to the Punch,” in 1962, Wells landed atop the chart for two weeks in 1964 with “My Guy,” her final Motown hit.

Wells left Motown at the height of her popularity over compensation issues and never found the same success again. She died in 1992 after a battle with throat cancer.

Benjaminson’s biography of Wells, published in November 2012, is his third book on Motown.

(Reporting by Kurt Anthony Krug in Detroit,; editing by Eric Kelsey, desking by G Crosse)

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Wispelwey: Loneliness of the long-distance cellist

LEIDEN, Netherlands (Reuters) – Dutch cellist Peter Wispelwey has recorded the haunting, delightful and soul-uplifting Bach Six Suites for Solo Cello three times and still he’s not finished.

His next, he says, is his “Lost in Translation” version, referring to the Bill Murray movie about an actor coming to terms with an alien culture in Tokyo.

Wispelwey is doing the same, flying into the Japanese capital for recording sessions in the early morning hours.

When it is released, he wants to strew CDs of portions of the Bach suites around Tokyo for people to find them, he told Reuters over a three-course dinner served during intervals as he performed in this Dutch university town.

“That’s my ideal,” he said. “I want the Tokyo preludes, the Tokyo gigues, the Tokyo allemandes.”

At this stage in his career, the 50-year-old Wispelwey who first fell in love with the cello’s growling sound at the age of two while listening to an amateur quartet in which his father played violin, can be indulged.

Growing up in a small country at a time when it did not have much of an established conservatory tradition, he more or less is a self-made cellist, though he has had several of the world’s best teachers, among them compatriot Anner Bylsma.

He made his name in the Netherlands by putting on recitals in his late teens of all the mainstream repertoire for solo cello, renting the hall himself, getting the tickets distributed and playing it all from memory.

He got his international credentials with his first 1990 recording of the Bach suites, for the Channel Classics label, which became one of the gold-standard versions.

His latest, and third version, is unique for tuning his baroque cello, with gut rather than modern steel strings, to a much lower pitch than A at 440 hertz, or slightly higher, which is the standard for modern orchestras, pianos, wind instruments and pretty much everything.

Wispelwey has done it at 397 hertz, a full tone below the modern A tuning, and a semitone, or half tone, below the usual baroque A which is 415 hertz.

There are theoretical reasons, including evidence it was the pitch Bach would have known. But more importantly, the sound world is different.

“If the general public comes in to hear the Bach suites on a baroque cello they need almost an hour just to adjust to that sound world and it’s not surprising,” he said, between gulps of food and before taking a shower to refresh for the continuation of one of the most demanding recital programs, for soloist and audience alike.

“We’re used to a steely, projecting laser beam of a sound and this has shades, it has color and it has the overtones. That’s why we can hear it. It has this very particular shine. but it’s a shine of nobility.”

Here’s what else he had to say about Bach’s appeal today, the mystical “Black Sarabande” and why it can sometimes seem a bit lonely being a cello soloist:

Q: What is it about Bach’s music, written in the early 18th century, that speaks to us three centuries later with such power, if not to say God-like authority?

A: “One is the magic of Bach. Even in the sparse notes of the cellos suites there is a narrative and it becomes more hypnotic the less you hear and the less you hear it filled in. It’s the hypnotic element of being carried away by so little. That said, the concentration of the listener is tunneled and first there’s an emotion of being narrowed but then the opposite happens.

“After an hour that tunnel gives suddenly way to the biggest panorama you’d ever want to see. It starts meaning everything, the small world becomes the big world and everything starts shining and becoming meaningful…Bach’s brain was all over the place all the time. That’s why we’re so eternally intrigued at what kind of creativity was at work there.”

Q: In the Suite No. 5, there’s a movement you call the “Black Sarabande”. Why?

A: “It’s painful, not nice. There is comfort in it but death is there. It’s about blackness, about dust and with the gut C string it sounds like dust, it sounds like throwing something into the grave or a last breath – it’s all there. The first four bars are a sort of solar system, all those notes hanging in space but they are somehow related…It’s dark and light and death and life. It’s so simple that its meaning expands in space. The simpler it is the more meaningful it seems to be.”

Q: Of course you don’t play only Bach – though you play these suites a lot. Two days from now you are doing a Schubert program and you also play modern composers like Ligeti and Crumb. Is it hard finding sufficient repertoire for an instrument which, let’s face it, has never been as big a crowd pleaser as the violin?

A: “It (Bach) does sound like you are playing really serious, profound music, so that’s good, and the other thing of course is the cello repertoire is so small that when we have six pieces by the greatest composer of all time, well, then, of course… There are 15 great cello concertos against 40 great violin concertos. The cello was emancipated (from its accompaniment role) late. Then look at the 20th century. We have Mstislav Rostropovich and suddenly we get this tsunami by the great composers…”

(Editing by Paul Casciato)

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Tom Hardy, Noomi Rapace in talks for Soviet thriller

NEW YORK (TheWrap.com) – Tom Hardy and Noomi Rapace are in talks to star in “Child 44,” a thriller that Ridley Scott and Michael Costigan are producing for Scott Free Productions, individuals with knowledge of the deal told TheWrap. “Safe House” filmmaker Daniel Espinosa will direct from a script by Richard Price, who is adapting Tom Rob Smith‘s novel.

Set in Josef Stalin‘s Soviet Union, the story follows Leo Demidov, a disgraced intelligence agent investigating a series of child murders. The paranoid Soviet government then becomes suspicious of his investigation.

The book, the first in a trilogy, is based on the true story of Ukrainian serial killer Andrei Chikatilo.

Hardy will play the officer and Rapace his wife.

The actors will first shoot “Animal Rescue,” a drama that Michael Roskam is directing for Fox Searchlight. Hardy, fresh off a year in big films such as ‘The Dark Knight Rises,” just wrapped “Mad Max: Fury Road.” Rapace, who appeared in 2012′s “Prometheus,” will next be seen in “Dead Man Down.”

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Despite previous beating, Rihanna back with Chris Brown

NEW YORK (Reuters) – It’s official: R&B diva Rihanna says she is back together with Chris Brown, who is still on probation for assaulting her in 2009, saying “It’s different now.”

“I decided it was more important for me to be happy,” Rihanna told Rolling Stone magazine in an interview published on Wednesday on its website.

“I wasn’t going to let anybody’s opinion get in the way of that. Even if it’s a mistake, it’s my mistake,” she said of her renewed romance with singer Brown, 23, that has prompted consternation from fans and celebrity media because of their history.

“After being tormented for so many years, being angry and dark, I’d rather just live my truth and take the backlash,” said Rihanna, 24, adding, “I can handle it.”

The couple’s reconciliation had been rumored for months, even before the pair unveiled a duet, “Nobody’s Business,” in November. That track was included on Rihanna’s latest album “Unapologetic.”

Brown pleaded guilty in 2009 to beating and punching Rihanna. He was sentenced to community service, anger management classes, given a restraining order and is still on probation.

The Barbadian singer told Oprah Winfrey in an emotional interview in August that she and Brown now had a “very close friendship,” and that she still loved him.

“When you add up the pieces from the outside, it’s not the cutest puzzle in the world,” Rihanna admitted to Rolling Stone, which hits newsstands this week with her gracing the cover above the headline, “Rihanna Crazy In Love.”

“You see us walking somewhere … and you think you know. But it’s different now. We don’t have those types of arguments anymore. We talk,” she said. “We value each other.”

But she noted that Brown is on probation with her as well, saying, “He doesn’t have the luxury of (messing) up again.”

“That’s just not an option … And I wouldn’t have gone this far if I ever thought that was a possibility.”

The interview was published three days after Brown’s latest dustup, which involved fellow musician Frank Ocean, over a parking space at a West Hollywood recording studio. Ocean has said he wants Brown prosecuted following the Sunday brawl.

In 2012 Rihanna was rated by Time and Forbes magazines as among the world’s and celebrity arena’s most powerful people.

(Reporting by Chris Michaud; Editing by Jill Serjeant and Philip Barbara)

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Singer Frank Ocean wants Chris Brown charged over brawl

LOS ANGELES (Reuters) – Rising R&B artist Frank Ocean wants fellow singer Chris Brown prosecuted following a brawl over a parking space at a Los Angeles-area recording studio, authorities said on Monday.

Brown is serving five years probation for assaulting his on-and-off girlfriend Rihanna in 2009 and risks having his probation revoked should charges be filed.

In the incident on Sunday, sheriff’s deputies responded to a call about a fight involving six men in West Hollywood. The deputies cited witnesses as saying that the Grammy-winning Brown, 23, punched Ocean during the brief altercation.

No charges have yet been filed, but Ocean “is desirous of prosecution in this incident,” said Los Angeles County Sheriff‘s spokesman Steve Whitmore.

Ocean, 25, who is nominated for best new artist and best record for “Thinkin Bout You” at the Grammys in February, said on Twitter on Sunday night that he “got jumped by Chris and a couple guys.” He said this resulted in a cut finger.

A representative for Brown has yet to comment.

The “Look at me Now” singer has attempted to rebuild his career and public image since 2009, but his entourage and that of Canadian rapper Drake were involved in a June 2012 brawl in a New York nightclub. No arrests or charges were brought in that case.

Brown and Ocean are both nominated in the best urban contemporary album category at the Grammys, which take place on February 10 in Los Angeles.

(Reporting by Eric Kelsey and Colleen Jenkins; Editing by David Brunnstrom)

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Rock singer Morrissey postpones six more shows due to bleeding ulcer

LOS ANGELES (Reuters) – British rock singer Morrissey is postponing six performances on his U.S. tour due to a bleeding ulcer, his spokeswoman said on Sunday.

“Morrissey is expected to make a full recovery and thanks everyone concerned for their support during this time,” his representative Lauren Papapietro said in a statement.

Morrissey, the former lead singer for 1980s alternative rock band The Smiths, checked into Beaumont Hospital on Friday in the Detroit suburb of Royal Oak, Papapietro said.

She declined to say if he remains hospitalized.

Due to his bleeding ulcer, Morrissey is postponing his upcoming shows in Asheville, North Carolina; Nashville, Tennessee; Atlanta, Georgia; Lawrence, Kansas; Clear Lake, Iowa; and Lincoln, Nebraska, Papapietro said.

He plans to resume his tour on February 9 in Las Vegas.

Due to an illness in his band, Morrissey, 53, canceled his show Thursday in Flint, Michigan, and postponed a Friday night performance in Minneapolis and another engagement set for Saturday night in Chicago, Papapietro said.

Morrissey, whose hits include “First of the Gang to Die” and “Irish Blood, English Heart,” toured North America last fall, played some shows in Australia and New Zealand in December and returned to the United States this month.

He kicked off his latest tour with a performance of his unreleased song “Action is My Middle Name” on “The Late Show with David Letterman” in New York.

(Reporting by Alex Dobuzinskis; Editing by Kevin Gray and Stacey Joyce)

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Kutcher takes on tech idol Steve Jobs in ‘jOBS’

PARK CITY, Utah (AP) — Ashton Kutcher says playing Steve Jobs on screen “was honestly one of the most terrifying things I’ve ever tried to do in my life.”

The 34-year-old actor helped premiere the biopic “jOBS” Friday, which was the closing-night film at the Sundance Film Festival.

Kutcher plays the Apple Inc. founder from the company’s humble origins in the 1970s until the launch of the first iPod in 2001. A digital entrepreneur himself, Kutcher said he considers Jobs a personal hero.

“He’s a guy who failed and got back on the horse,” Kutcher said. “I think we can all sort of relate to that at some point in life.”

Kutcher even embodied the Jobs character as he pursued his own high-tech interests off-screen.

“What was nice was when I was preparing for the character, I could still work on product development for technology companies, and I would sort of stay in character, in the mode of the character,” he said. “But I didn’t feel like I was compromising the work on the film by working on technology stuff because it was pretty much in the same field.”

But playing the real-life tech icon who died in 2011 still felt risky, he said, because “he’s fresh in our minds.”

“It was kind of like throwing myself into this gauntlet of, I know, massive amounts of criticism because somebody’s going to go ‘well, it wasn’t exactly…,’” Kutcher said.

While the filmmakers say they tried to be as historically accurate as possible, there was also a disclaimer at the very end of the credits that said portions of the film might not be completely accurate.

Still, realism was always the focus for Kutcher, who watched “hundreds of hours of footage,” listened to Jobs’ past speeches and interviewed several of his friends to prepare for the role.

The actor even adopted the entrepreneur’s “fruitarian diet,” which he said “can lead to some serious issues.”

“I ended up in the hospital two days before we started shooting the movie,” he said. “I was like doubled over in pain, and my pancreas levels were completely out of whack, which was completely terrifying, considering everything.”

Jobs died of complications from pancreatic cancer.

Still, Kutcher was up to the challenge of playing Jobs, in part because of his admiration for the man who created the Macintosh computer and the iPod.

“I admire this man so much and what he’s done. I admire the way he built things,” Kutcher said. “This guy created a tool that we use every day in our life, and he believed in it when nobody else did.”

The film also shows Jobs’ less appealing side, withholding stock options from some of the company’s original employees and denying child support to the mother of his eldest child.

Kutcher still found the man inspiring. Jobs had a singular focus, Kutcher said, and felt like anyone could change the world.

“I don’t know if there’s ever been an entrepreneur who’s had more compassion and care for his consumer than Steve Jobs,” Kutcher said. “He wanted to put something in your hand that you could use and you could use it easily… and he really cared about that.”

___

AP Entertainment Writer Sandy Cohen is on Twitter: www.twitter.com/APSandy.

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Brooke Shields signs up for a hitch on Lifetime’s “Army Wives”

LOS ANGELES (TheWrap.com) – Brooke Shields has signed up for the Air Force – or at least the Air Force as it’s portrayed on “Army Wives.”

“Pretty Baby” star Shields will join the cast of the Lifetime series for its seventh season, the network said Thursday.

Shields will play Katherine “Kat” Young, a brash, brilliant Air Force colonel and crack C-17 pilot who clashes with Gen. Michael Holden (Brian McNamara) shortly after arriving at Joint Base Marshall Bring.

But after Young and Holden’s Air Force-Army rivalry gets underway, Holden discovers that Young has a tragic past — and more in common with him than he first thought.

The ABC Studios-produced “Army Wives” returns for its seventh season March 10 at 9 p.m. with a drastically revamped cast. In addition to Shields, singer/actress Ashanti, Torrey DeVitto of “Pretty Little Liars,” Bring It On” alum Elle McLemore and singer Jesse McCartney have joined the cast. Meanwhile, Kim Delaney has departed the series, and former series regular Sally Pressman will only appear “in several episodes” of the new 13-episode season.

“We’re all very excited about season seven, in which a new tribe emerges from the shadow of tragedy,” executive producer Jeff Melvoin said of the upcoming season on Wednesday.

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GLAAD protests Nat Geo’s collaboration with Boy Scouts

LOS ANGELES (TheWrap.com) – The advocacy group backed a Change.org petition started by Will Oliver, a 20-year-old gay Eagle Scout, that calls on Nat Geo to air a disclaimer clarifying the network’s views before each episode of its new series, “Are You Tougher than a Boy Scout.” It debuts this spring.

“That National Geographic would brush aside countless gay teens suffering at the hands of the BSA, shrugging off injustice as just another ‘point of view,’ is irresponsible,” GLAAD president Herndon Graddick said in a statement. “By airing this program, National Geographic is providing support and publicity to an organization that harms young people simply because of who they are. If the network is truly committed to standing by its non-discrimination practices, it should have no problem airing a disclaimer to that effect.”

Nat Geo did not immediately respond to calls from TheWrap requesting comment.

But in a statement to GLAAD, the network said the show has “nothing to do with this debate” over the Boy Scouts’ LGBT policies.

“As it relates to our upcoming show with the Boy Scouts, we certainly appreciate all points of view on the topic,” Nat Geo said in the statement, “but when people see our show they will realize it has nothing to do with this debate, and is in fact a competition series between individual scouts and civilians.”

GLADD pointed to the Boy Scouts’ October 2012 Progress Report of its National Council Strategic Plan 2011-2015. It cites the Nat Geo series as a “strategic partnership” aimed at promoting the idea that “scouting is ‘cool’ with youth.”

The report states that the Scouts will begin working on marketing plans with National Geographic for “leveraging the show with Scouting audiences and audiences outside of scouting.”

“It’s all too clear that this show is just a marketing ploy, crafted by the BSA to boost dwindling membership and distract Americans from the Scouts’ long history of discrimination,” Graddick said. “National Geographic Channel is the means to that end and must therefore make it clear where the network stands.”

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Adele to perform Bond theme song “Skyfall” live at Oscars

LONDON (Reuters) – British singer Adele will return to the stage next month after a year absence to perform her Oscar-nominated song “Skyfall” at the 85th Academy Awards, the show’s producers said on Wednesday.

The theme tune to the latest James Bond movie was written by Adele and Paul Epworth. It is the first Bond theme to be nominated for the original song award at the Oscars since “For Your Eyes Only” in 1981.

The February 24 show will be Adele’s first live performance since the Grammy Awards last April and the first time she will perform “Skyfall” live, as she has kept a low profile since giving birth to a son last October.

“It’s an honor to be nominated and terrifyingly wonderful to be singing in front of people who have captured my imagination over and over again,” Adele, 24, said in a statement.

“It’s something I’ve never experienced and probably only ever will once!”

She was in Hollywood last month to pick up the Golden Globe for the best original song prize for “Skyfall”.

Adele’s album “21″ scored the rare feat in December of topping all U.S. album sales for the second straight year. She records on the indie record label XL.

(Reporting by Belinda Goldsmith; editing by Patricia Reaney)

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Justin Bieber tops Lady Gaga to rule Twitter

(Reuters) – Teen heartthrob Justin Bieber with his hordes of fans known of Beliebers became the King of Twitter on Tuesday, topping fellow pop star Lady Gaga as the user with the most followers.

Data from TwitterCounter.com showed that the 18-year-old Canadian singer jumped into the lead with 33.33 million followers, topping Lady Gaga’s 33.32 million and ending her two-and-a-half year rule of the microblogging site.

A spokesman from TwitterCounter.com said Lady Gaga has held the top slot on Twitter since August 2010 when she overtook U.S. pop star Britney Spears.

Bieber rose to fame as a baby-faced pop star singing love songs such as “Baby” after being discovered on YouTube in 2008. He has released two No. 1 albums in the past 18 months – the holiday-themed “Under the Mistletoe” and “Believe.”

Bieber was named by Forbes magazine in 2012 as the third-most powerful celebrity in the world and his huge following on Twitter was cited as a reason why marketers need to take notice of the 140-character micro-blogging site.

Lady Gaga has dropped to second in Twitter followed by singer Katy Perry in third with 31.49 million followers then Rihanna and Barack Obama with 26.17 million followers. Britney Spears has slipped to sixth place.

(Reporting by Belinda Goldsmith; editing by Patricia Reaney)

(You can see the Twitter top 100 list http://twittercounter.com/pages/100)

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“Death Wish” director Michael Winner dies aged 77

LONDON (Reuters) – Flamboyant British film director Michael Winner, best known for the “Death Wish” series of the 1970s and 80s, died at his London home on Monday. He was 77.

In a statement released to the media, his wife Geraldine said: “A light has gone out in my life.”

Winner, who reinvented himself in recent years as an outspoken restaurant critic in the Sunday Times, had been ill for some time, and revealed last summer that specialists had given him 18 months to live due to heart and liver problems.

He said in a later interview that he had considered going to the Dignitas assisted-dying clinic in Switzerland.

Winner’s movie career spanned some 40 years and more than 30 feature films, including the successful Death Wish series starring Charles Bronson as a vigilante out to avenge family murders.

He worked with some of the biggest stars in Hollywood, including Marlon Brando, Robert Mitchum and Faye Dunaway, but his success was overshadowed by a divisive image in Britain as a pompous bon viveur who did nothing to hide his wealth.

According to Winner’s official online biography, actor Michael Caine once said of him: “You are a complete and utter fraud. You come on like a bombastic, ill-tempered monster. It’s not the side I see of you. I see a man who has a tremendous artistic eye.”

In its obituary, the Daily Telegrah wrote: “Flamboyant, often boorish, he was, in many ways, his own worst enemy.”

EARLY INTEREST IN SHOWBUSINESS

Born in London in 1935, Winner took an early interest in showbusiness, writing an entertainment column aged just 14 which was published in 30 local newspapers.

According to his website, he studied law and economics at Cambridge University and worked as a film critic as a teenager before entering the world of movies full time in 1956 when he started marking documentaries and shorts.

In the 1960s Winner focused on comedies like “The Jokers” and “I’ll Never Forget What’s ‘Isname”, both of which starred Oliver Reed.

The following decade he moved on to crime capers like “The Mechanic” and “The Stone Killer” before the commercially successful Death Wish, which was released in 1974 and spawned several sequels.

The original movie proved controversial for its portrayal of urban violence, but Winner defended a film he always knew he would be best remembered for.

“Death Wish was an epoch-making film,” he told the Big Issue charity publication last year. “The first film in the history of cinema where the hero kills other civilians.

“It had never been done before. Since then it has been the most copied film ever. Tarantino put it in his top 10 films ever made.”

He later turned his hand to food criticism in a typically outspoken column for the Sunday Times called Winner’s Dinners. His last column appeared on December 2 and was titled: “Geraldine says it’s time to get down from the table. Goodbye.”

Winner, whose appearance in adverts for insurance coined the catchphrase “Calm down dear, it’s only a commercial”, founded and funded the Police Memorial Trust following the murder of WPC Yvonne Fletcher outside the Libyan embassy in London in 1984.

More than 50 officers have been honored by the trust at sites across the country.

He was reportedly offered an OBE in the Queen’s honors’ list in 2006 for the campaign, but turned it down, saying: “An OBE is what you get if you clean the toilets well at King’s Cross station.”

(Reporting by Mike Collett-White, editing by Paul Casciato)

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Holy cow! Original Batmobile from TV series sells for $4.2 million

PHOENIX (Reuters) – An Arizona man with a special fondness for caped crusader Batman and his sidekick Robin bought the original Batmobile driven in the iconic television series with a bid of $ 4.2 million at an auction on Saturday.

Rick Champagne, a Phoenix-area logistics company owner, came away with the black, futuristic two-seater featured in the “Batman” series starring Adam West and Burt Ward from 1966 to 1968, following a flurry of spirited bidding at the Scottsdale, Arizona, auction.

“I really liked Batman growing up and I came here with the intention of buying the car,” Champagne, 56, told Reuters in a brief interview moments after he bought the car. “Sure enough, I was able to buy it. That was a dream come true.”

The Barrett-Jackson auction was the first time the car was put up for public sale. In addition to the $ 4.2 million bid price, the buyer will have to pay an additional roughly $ 420,000 in premiums.

The Batmobile is based on a 1955 Lincoln Futura, a concept car built in Italy by the Ford Motor Co.

In 1965, the concept car was bought for a nominal $ 1 by noted customizer George Barris, who had a mere 15 days and $ 15,000 to transform the vehicle for the show. He has owned it ever since.

Barris told Reuters he had supplied vehicles for movies and television shows before, but this one had to be markedly different than the others.

“With every pow, bang, wow, wee, I wanted the car to do something just like the actors,” said Barris, 87, in an interview before the auction. “The car had to be a star on its own. And it became one.”

The car has a V-8 engine and instruments in the steering wheel, plus innovative items like a push-button transmission.

But generations may remember it best for Bat gadgets added for the series, including a car phone and the ability to deploy such things as oil, smoke and nails to thwart villains – not to mention twin rear parachutes for quick Bat turns.

Barris said the vehicle toured the country after the series and a movie and then was housed in a private showroom in California. He said it was time to part with the popular car and let a new owner have the Bat keys.

(Editing by Cynthia Johnston and Eric Beech)

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Paul Dano Playing Beach Boys Legend Brian Wilson

LOS ANGELES (TheWrap.com) – Paul Dano will play Brian Wilson in a new biopic about the gifted, but troubled Beach Boys leader.

Entitled “Love & Mercy,” the film will be directed by Bill Pohlad, who produced “The Tree of Life” and is also the son of billionaire Carl Pohlad, the owner of baseball’s Minnesota Twins. Oren Moverman, who earned an Oscar nomination for his screenplay for “The Messenger” in 2010, wrote the script for the film.

Dano will play Wilson in his younger “Surfin’ USA” days, but another, as yet uncast actor will play an older version of the singer, presumably taking up the mantle to dramatize the singer and songwriter’s long slide into mental illness and addiction.

Dano has impressed critics with intense turns in movies including 2007′s “There Will Be Blood” and with more lighthearted roles such as last year’s romantic comedy “Ruby Sparks.” He is currently filming “Prisoners” with Hugh Jackman and Jake Gyllenhaal and will next be seen in Steve McQueen’s “Twelve Years a Slave” opposite Brad Pitt.

The star also received a very important blessing after getting the part.

“I am thrilled that Paul Dano has signed on to play me during one of my most creative explosions and most fulfilling musical times in my career,” Wilson said in a statement. “I still can’t believe how cool it is that my life will be portrayed on the big screen and to have Bill Pohlad as the captain of the Sloop John B is amazing.”

John Wells and Claire Rudnick Polstein (John Wells Productions) will produce along with River Road, which Pohlad founded.

Atticus Ross, who won an Oscar for scoring “The Social Network,” is in talks to work on the sound design of the film and the soundtrack, which will feature lots of Wilson hits.

Paul Dano is represented by Anonymous Content and WME.

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Karl Rove re-ups With Fox News channel

LOS ANGELES (TheWrap.com) – Karl Rove’s election-night brouhaha is apparently water under the bridge at Fox News. Rove, the former senior advisor to President George W. Bush, has extended his run as a contributor with Fox, the network’s CEO, Roger Ailes, said Thursday.

The new deal will keep Rove on through the 2016 presidential election.

Under the extension, Rove will also continue to contribute to Fox Business Channel.

“Karl’s detailed knowledge of state and national politics, as well as fundraising and strategy, makes him an important player in our ongoing political coverage and we look forward to him continuing his analysis across all platforms for Fox News and Fox Business,” Ailes said of the new deal.

Rove, who’s been a contributor for Fox News since 2008, raised eyebrows among viewers – and his onscreen cohorts – on election night. After the network’s analysts called Ohio – and thus the country – for Obama, Rove protested at length that they might be premature. That prompted anchor Megyn Kelly to go down the hall on-air to where the network’s analysts were assembled in order to confirm the prediction.

On Wednesday, Ailes announced that Fox had hired former Democratic congressman and presidential candidate Dennis Kucinich as a contributor.

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“Dear Abby” advice columnist Pauline Phillips dead at 94

(Reuters) – Pauline Phillips, the “Dear Abby” newspaper columnist who dished out advice to millions of confused, troubled and lovesick readers in America and around the world, has died at the age of 94, her daughter said on Thursday.

Phillips, whose twin sister Esther wrote the rival “Ask Ann Landers” column, died in Minneapolis on Wednesday after a long battle with Alzheimer’s disease.

“I have lost my mother, my mentor and my best friend,” daughter Jeanne Phillips said in a statement released by the syndicator of the “Dear Abby” column, Universal Uclick.

“My mother leaves very big high heels to fill with a legacy of compassion, commitment and positive social change. I will honor her memory every day by continuing this legacy,” Jeanne Phillips added

Phillips’ family announced in August 2002 that she had been diagnosed with Alzheimer’s disease.

Phillips had brought daughter Jeanne in to collaborate on the syndicated newspaper column in 1987 and in December 2002 turned over all responsibility for it to her.

(Reporting By Eric Kelsey; Editing by Sandra Maler)

(This story corrects name of her sister’s column in 2nd paragraph)

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Fox hires Dennis Kucinich as analyst

NEW YORK (AP) — Days before President Barack Obama‘s inauguration for a second term in office, Fox News Channel has signed Dennis Kucinich, one of his former opponents, to be a regular contributor.

Kucinich, a presidential candidate in 2004 and 2008 who ended 16 years in Congress two weeks ago, will make his debut as a Fox contributor on Thursday’s edition of “The O’Reilly Factor,” the network said Wednesday.

“I’ve always been impressed with Rep. Kucinich’s fearlessness and thoughtfulness about important issues,” Fox News Chairman Roger Ailes said. “His willingness to take a stand from his point of view makes him a valuable voice in our country’s debate.”

Fox is the nation’s top-ranked cable news network, particularly popular with Republicans. Its big-name Republican contributors include Karl Rove, Sarah Palin and John Bolton. Democrats in the Fox stable include Evan Bayh, Joe Trippi and Bob Beckel.

Kucinich was elected to the Cleveland city council at age 23 and, at 31, became one of the nation’s youngest mayors. He’s also been an Ohio state senator and run his own communications and marketing firm.

“Fox News has always provided me with an opportunity to share my perspective with its enormous viewership,” he said.

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